On Some Genres of Biblio-painting
https://doi.org/10.20913/1815-3186-2024-3-47-57
Abstract
Biblio painting is considered as a segment of the bibliosphere and as one of the areas of world fine art. Genres are identified in which the book acts as an artistic image, that carries an important semantic load, and is also used as a significant element of the composition. These genres include religious, mythological, allegorical, everyday painting, works on literary subjects, portraits and biblio still lifes. The aim of the article is to present the history of interpretation of art book image in the works of religious (Christian), mythological, allegorical painting as well as easel paintings, made on the bases of literary works. It is concluded that the development of biblio-painting correlates with the peculiarities of the transformation of book culture itself, since the interpretation of the artistic image of a book in pictorial genres emphasizes their integration into the bibliosphere as a whole.
About the Author
N. S. Murashova
Novosibirsk State Pedagogical University
Russian Federation
Russian Federation
Natalia S. Murashova - Doctor of Cultural Studies, Associate Professor, Head of the Department of Socio-Cultural and Library Activities.
28 Vilyuiskaya St., Novosibirsk, 630126
References
1. Dmitrieva AA (2009) Painting by Jan Vermeer Delftsky «Allegory of painting» («The painter in the workshop»). The main problems of iconography. Vestnik Sankt-Peterburgskogo universiteta. Istoriya 3: 130–139. (In Russ.).
2. The life and suffering of the Holy Great Martyr Catherine. Azbuka very: website. (In Russ.). URL: https://azbyka.ru/otechnik/Dmitrij_Rostovskij/zhitija-svjatykh/1037 (дата обращения = accessed 24.06.2024). (In Russ.).
3. Sedlmayr H (2000) Two examples of interpretation. Iskusstvo i istina. Teoriya i metod proizvedeniya iskusstva. Saint Petersburg, pp. 185–215. (In Russ.).
4. Kiseleva A (2017) The history of art in one story: Annunciation. Arzamas. Zhurnal: website. (In Russ.). URL: https://arzamas.academy/mag/420-annunzione (дата обращения = accessed 24.06.2024). Дата публикации = published 07.04.2017.
5. Mikeladze NE (2005) Shakespeare and Machiavelli: the theme of “Machiavellianism” in Shakespearean drama. Moscow: VK. (In Russ.).
6. Mitrofanov VP and Kosareva MA (2022) The emergence of universities in medieval Europe. Vestnik Penzenskogo gosudarstvennogo universiteta 4: 3–10. (In Russ.).
7. Sokolov AV (2021) Arguments and objects of bibliosophy: space, logos, media. Kul`tura: teoriya i praktika 2. (In Russ.). URL: http://theoryofculture.ru/issues/119/1437/ (дата обращения = accessed 24.06.2024).
8. Tolova GN (2009) Gospel stories in the mirror of art. Filolog 8. (In Russ.). URL: http://philolog.pspu.ru/module/magazine/do/mpub_8_20 (дата обращения = accessed 24.06.2024).
9. Shcherbinina YuV (2020) Visible invisible painting. Books on paintings. Moscow: AST. (In Russ.).
10. Shcherbinina YuV (2020) The book is in the eyes of the beholder. “Bibliopainting” as a key to understanding the artist’s idea. Bibliotechnoe delo 17: 2–4. (In Russ.).
Review
For citations:
Murashova N.S. On Some Genres of Biblio-painting. Bibliosphere. 2024;(3):47-57. (In Russ.) https://doi.org/10.20913/1815-3186-2024-3-47-57
Views:
162
Email this article 